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Peter Frampton
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Just
like about half the world, I became a Frampton fan when 'Frampton Comes
Alive' came out in the mid-70's. In a lot of ways it became a soundtrack
for the 70's, I believe. Very smooth, laid back, open, airy, upbeat, great
jams, great flow, and just plain old party-fun atmosphere. I think that's
why it appealed to soooo many people. Peter is a great entertainer. He was
then, and still is now. You get him in front of a crowd, and he really communicates
and has a great time with his audience. It's a shame that's he hasn't gotten
more credit for being such a great guitar player because he absolutely is.
His original and current guitar/keyboard player, Bob Mayo, is also a truely
awesome musician, and a heck of a nice guy. |
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Summer 2002
Tour Rig Photo's
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Click On Each Photo For
Larger Image
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The
Peter Frampton Summer 2002 tour rig photo's were taken on Saturday June
29th in Las Vegas. I took them at the soundcheck about 5 hours before the
show. Peter's rig is a bit different from his recent set-ups, including
the one currently shown on his website. Most noticeably different is the
fact that he's now using Mesa preamps in place of Bob Bradshaw's Custom
Audio Electronics preamps. You also might notice that you no longer see
the Ampeg Echo Twin (ET-1) sitting on top of his Marshall cabs. That's because
it is now miked in an isolation box out of sight. Also, you'll notice some
lyrics typed on a sheet next to his Bradshaw RS-10 (expanded). That's because
he's performing some very new songs!!! Most notably is the song called Not
Forgotten. Excellent, excellent tune that's dedicated to his friend George
Harrison. You should be hearing this one on the radio once his new album
is released in a few months. Regarding Peter's tone, at times I think it
sounded a lot better last year, and I think they're still working out the
bugs on those Mesa preamps and how they fit in. Since they are relying on
each venue's FOH sound guy, it's tough to judge the tone unless you hear
several shows. Some FOH guys are better than others, obviously. |
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© 2003 Cathedral
Stone Music Publishing
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